Film review: Cloverfield

Cloverfield

I've been considering add this to my Lovefilm list, although I was never completely convinced.  The trailer for the film made it look a lot like another Godzilla movie - and yes, I've enjoyed the Jurassic Park series, and I've watched bits of the new Godzilla film, but the genre has never really appealed to me.  However, when Cloverfield showed up on the TV listings, I set the recorder and figured I'd pick it up when there was nothing on the TV.  

Cloverfield goes for the innovative approach of filming everything from the first person, with a hand-held camcorder (or at least making it look that way).  The film starts steadily, as one night a huge monster starts ripping up a city.  Which city?  I'll give you a clue:  it's the main city in Independence Day, The Day The Earth Stood Still, Spiderman...  yes, once again, New York is the shortcut for 'any main Earth city'.  Normally, I'd include a summary of the plot in my review, but I'm going to struggle for this film.  There isn't much plot.  Monster rips up city; army arrives eventually; conventional weapons are utterly useless; government authorises use of nuclear weapons.  The remaining story revolves around a group of civilians (including our cameraman) who aren't intelligent enough to run away, and instead, insist on 'documenting' everything.  Their motivation for this isn't clear, and as I watched our characters head towards the danger, while crowds of intelligent people started felling, I lost any interest or sympathy for them.  

The other main character - the monster - had no character at all.  It was extremely difficult to feel anything for it - was it an evil enemy bent on destruction and conquest?  Was it from outer space or under the ground?  Was it - as one of the characters suggested - from under the sea?  Was it lost?  Was this a misunderstood first contact going badly wrong?  It was part - and an unfortunate part - of the film's set-up that it's almost entirely filmed from one perspective; perhaps the film was going for the idea of portraying the details of a monster attack (I refuse to call it an alien invasion) from an individual's point-of-view.  If it was, then it didn't work, for three key reasons:  the cameraman and his associates were not particularly well drawn as characters (despite the occasional flashbacks); they kept running towards trouble, instead of away from it, and the film failed to answer one question sufficiently for me:  why didn't he just ditch the camera, which was slowing him down and took up one of his hands, and run?

I know I'm slating this film, but, apart from the criticisms I've levelled against it already, there are a few good points.  There's a section in the film where our characters are walking along a tunnel to ... well, I think they were looking for a safe way to get closer to the monster to look at it; I don't think they were trying to escape.  I must have missed the line that explained this entry in their list of poor decisions.  Anyway, they're traipsing along in the dark, when suddenly, a couple of mini-aliens (looking like a smaller, dressed-down version of the bugs in Starship Troopers) start attacking them, snapping and biting and scratching and generally causing lots of trouble.  One of the cast suffers a scratch or a bite to her shoulder, and, when the team take a proper look at it, it's infected and looking decidedly alien.  I surmised at this point that she was going to turn into an alien (something like District 9), but I was wrong.  The team make their way back to the surface, and are found by the army, with one soldier delivering the best line of the film, "We're not sure what it is, but we know one thing: it's winning."  

However, despite one of the team being seriously wounded, and is desperate for treatment, the characters decide they still want to go and rescue their friend (they assume that she's as daft as they are, and hasn't made a run for it).  Not, "Please will you treat our friend's shoulder," but, "We know we're unarmed, but want to go risk our necks too, where's the way out?"  Fortunately (for the story, not for the characters), one of the medical staff in the army's triage centre spot the wound, and with a shout of, "Bite!" they whisk the female lead (now bleeding from the eyes) out behind a screen, where she dies a very swift and dramatic death.  Still undeterred, our characters (I'm not calling them heroes, sorry) manage to get back outside, with the promise of a helicopter pick-up in the following morning.  They find their friend's apartment block, toppled over and leaning on another adjacent tower.  Has the friend run away?  Has she died?  Do we care?  Do the characters?  No.  They decide that it makes sense to go up the adjacent block and then jump across.  Oh dear.

At least the army and military have the right idea, as we see fewer armoured vehicles on the ground, and more aircraft firing missiles and dropping bombs, as our characters go on their crazy mission.  

I think I can summarise my disappointment or dislike of this film with one of the final scenes; the crew enter the tower block, and try the lifts.  They don't work, so they decide to take the stairs, and I suddenly realised the stupidity of what I could be about to witness:  a trio of people climbing all the stairs of a skyscraper.  Fortunately for me, Mr Cameraman pressed the pause button a few times, to save me from total boredom (but highlighting how bored I was at this point) and during one conversation on the stairs, he and his friend say, "What are you talking about?" "I'm just talking.  I don't know why I'm talking."  Sadly, sir, you're the only narrative to this story.  Otherwise, if you don't know why you're talking, then, even more sadly, neither do I.
Some of my other film reviews:
Cloverfield
Inception
The Green Hornet
Transformers 2: Revenge of the Fallen
Transformers 3: Dark of the Moon
Transformers: Bumblebee
Transformers: One
Tron

Film Review: The Day The Earth Stood Still

I think I can safely say that I've never seen a B-movie.  I've watched quite a few of the original series of Star Trek, Buck Rogers and Battlestar Galactica, but for me, that's where the history of science fiction begins.  However, our Lovefilm account needed to be topped up, so I threw a number of science fiction films into it, some of them based on Lovefilm's automated recommendations, and a few weeks ago, the remake of The Day The Earth Stood Still came through.  I should say now, to make it perfectly clear:  I haven't seen the original.

I was very pleasantly surprised with how quickly the story got moving.  After a couple of scene-setters, where we discovered the main characters' backgrounds in a very quick and efficient way, the story whisked us straight off to New York for the alien spaceship landing.  I am going to mention this now, as it grated on me as soon as I saw it:  the scientists are gathered around their screens, tracking an object coming in at one-tenth the speed of light.  I was pleased that arrival was imminent, but a quick mention that the object was slowing down - and slowing down dramatically - would have been helpful, otherwise by the time it had been detected, its arrival would have been less 'imminent' and more like 'immediate'.  One scientist asks another, "Where is it due to hit?"  Where do you think?  Have you not seen Independence Day, The Day After Tomorrow or any of other myriad sci-fi blockbusters?  It's going to land in America, and probably New York.  Surprise, surprise, it's Manhattan.  This European viewer rolls his eyes and yawns with the lack of ingenuity.


Anyway, the film carries on, we get the dramatic landing in Central Park, and the arrival of the alien life form and his 60-foot-tall metallic one-eyed guardian.  I know I said I've never seen any B-movies before, but I have a good idea of what the genre looks like, and it looks like this!  It's either a soldier or a police officer, but some trigger-happy American (and this is an unfortunate stereotype that is widely recognised) shoots the alien as it attempts to make first contact, and we have a good start to a paranoia movie.  The alien invasion is met with alarm, fear and lots of military hardware, while the smaller, gooey alien is rushed off to hospital where it starts to adapt alarmingly.  I was reminded of the throwaway line in the original Back to the Future, "It's mutated into human form!" and that's about right here.  Keanu Reeves plays the alien invader with a high degree of cool detachment, and very quickly develops an air of 'weird' and non-human, despite looking decidedly human!


The story doesn't have a long and complicated story - I suspect that's typical of the B-movie genre - as the 60-foot-tall metallic one-eyed guardian is attacked, defends himself, and is later boxed up and lowered into a very convenient and very deep vertical tunnel (with adjacent test lab).  From here, the guardian dissolves into thousands of tiny metallic insects (I wonder if GI Joe's nanobots came from here) that are capable of destroying any material - from diamond and metal to people.  It becomes a race against time to prevent this deadly swarm from completely destroying life on Earth. 


All life, that is, except for a selection of fish and animal life (and presumably some plants) that have been attracted into huge watery glowing spheres - "arks", as the secretary for defence concludes.  The appearance of these glowing spheres makes for some impressive visual effects, as they turn up all over the globe, attracting and absorbing the local animal life, and ominously foreshadowing "the flood".  The flood - or the swarm, as it turns out - is also shown with some very impressive visuals, as a stadium disintegrates, and people start to get caught up in it.


The plot - or the story - is simple:  convince the alien that humankind is worth saving, and to this end, I particularly enjoyed the role of John Cleese's character.  The alien's line, "Close.  But no," made me smile, before the prerequisite wiping of strange characters and rewriting with chalk on a blackboard.  For me, this was one of the best character scenes, and sent the story on its way to its obvious conclusion.  I didn't much like the son character - thought he was a bit contrived and his resistance bordered on obstinate, although I did like his lines to the unfortunate police officer who tried to stop the alien, "Please don't hurt him...   I wasn't talking to you."


In the end, disaster is averted, mankind is saved from the brink, as the alien sets off a massive electro-magnetic pulse that disables the swarm, and, at the same time, stops all electronic devices from working.  I think the whole earth suffered the effects of the EMP; all watches and clocks stop, hence the title: "The Day The Earth Stood Still."  It was all a bit cheesy for me, a bit predictable and overly heavy on the, "mankind is capable of great kindness" sentiments.  Ever since I first heard the title for this film, many years ago, I envisaged a problem where the Earth stopped spinning, one side getting ever hotter, and one side ever colder.  This film didn't live up to that title, which was a shame, and didn't live up to its own high-paced start, and that was a disappointment.

Some of my other film reviews:
Cloverfield
Inception
The Green Hornet
Transformers 2: Revenge of the Fallen
Transformers 3: Dark of the Moon
Transformers: Bumblebee
Transformers: One
Tron
Wing Commander

Transformers 3: Dark of the Moon

Having reviewed Transformers: Revenge of the Fallen some time ago, I thought it was about time I reviewed the latest Transformers film.  I remained almost entirely spoiler-free before I saw the film, other than having inadvertantly seen a picture of Optimus pulling his trailer, and a picture of one of the characters who was being compared to one of the original G1 cartoon characters (I can't remember which).  Being spoiler free - in fact, I even avoided the trailers for the movie - meant that I approached the film completely open-minded, although a number of people who'd seen it told me that it was significantly better than the second.  I was very optimistic, and I wasn't disappointed.

There are various reasons that this film was better than the second:  the parents' roles and screen time were significantly scaled down, which is a double bonus; the film was intelligently tied in to a number of 'real life' events; the number of faceless Decepticons was reduced (in fact, there were vastly more in this film film than the second, but it didn't seem like it as they were handled with intelligence); and more time and care was taken to provide the Autobots and Decepticons with identities, vehicle modes, names and even a small dose of personality - to put it another way, they had character.  The film had a complicated but understandable plot with a number of twists (compared to the second film, which was boringly linear); killed off a number of characters, which I found very surprising and which developed interest in the story, especially with characters we care about; and a number of other surprises too (which you may or not predict in advance).

The plot begins with the Autobots' discovery of Cybertronian spacecraft technology in a building near the Chernobyl reactor in Ukraine; then develops to the revelation of the humans' discovery of alien technology on the far side of the moon.  They refer to it in the film as 'the dark side of the moon', which is a bit of a misnomer - technically, the moon doesn't have a dark side because it turns on its axis in the same way as the Earth does, and the moon has days and nights as we do.  What they really mean is the far side of the moon (as seen from Earth), but hey, "Far of the moon" doesn't have any kind of ring to it.  Come to think of it, "Dark of the Moon" sounds like it's missing a word somewhere, but I suspect that Pink Floyd using "Dark Side of the Moon" in 1973 meant that Dreamworks had to leave well alone.  Or perhaps the Dark of the Moon was not just the spaceship, but all the villiany and subterfuge that came from it too.  Or maybe the title writers got lazy. 

Along the way, we see Optimus Prime's trailer put to good use (a scene that quite obviously screams, "New toy alert!") and a batch of new Autobots who get names (I wish I could remember them).  We get to see the Autobots walking on the moon, as they recover the body of Sentinel Prime - a very impressive character, voiced by the extremely impressive Leonard Nimoy.  Nimoy lends the film some sci-fi credibility (as does the appearance of Buzz Aldrin), as long-time fans will remember him voicing Galvatron and Unicron in the original "Transformers The Movie" from 1985, while Trekkies will appreciate his delivery of the line, "You never understood that the needs of the many outweigh the needs of the few!" towards the end of the film.  We also see robots in disguise.  There are at least two scenes where vehicles which were previously assumed to be Earth vehicles and nothing more suddenly transform and engage in battle - and this was a very welcome change from the second film where we saw robots that didn't transform at all.  This film definitely won on its ability to deliver surprises and shocks.

We also get some character development as Optimus and Sentinel discuss the leadership of the Autobots, and we also get to see a decrepit and suffering Megatron in another new vehicle form which befits his current situation (and again screams "New toy alert!").  The story unfolds from the discovery at Chernobyl, from Sentinel's reactivation and his change of heart, and the plot develops in dramatic and unexpected ways, as the Autobots are expelled from the Earth; the Decepticons bring in reinforcements from the Moon (and subsequently from further afield) and start their plan for world conquest.  


Quite a lot of the second half of the story feels a lot like a throwback to the G1 cartoon story "The Ultimate Doom!" - in fact, large parts of the story were almost completely pulled out of that script:  humans collaborate with Decepticons to build a space bridge to bring Cybertron into Earth orbit; human slaves who are co-erced into co-operating and so on.  I wish I could remember if Cybertron was completely destroyed by the aborted attempt to bring it to Earth; I just know it seemed to suffer considerable damage!

On the subject of borrowed material, I can safely say I didn't notice that at least two scenes in this film were ripped directly (and I mean taken wholesale frame by frame) from some of Michael Bay's previous films, namely The Island and Pearl Harbour.  It didn't affect my enjoyment, and even now I'm not bothered; seems like a clever way of reducing costs in order to put more robots on the screen for longer.  And there's no complaints there:  plenty of Autobots, transforming; plenty of new characters, with names and identities, vast numbers of explosions, action, fights and more explosions.

One of the down-sides for me was the stupid mechanised earthworm that was featured at the start of the film, and extensively towards the end.  Does it transform?  No.  Does it belong in a film called Transformers?  No.  There is absolutely no precedent that I'm aware of in the Transformers universe for a robotic earthworm.  And if it's that destructive, why didn't it completely level the skyscraper that the humans were trying to climb?  Too big, too destructive, and yet somehow didn't manage to finish off the humans.  Also, I do think that the final sequence was overly long and could easily have been shortened.  In my view, the whole Decepticon aircraft vehicle thing, despite its jointed parts, was completely unnecessary.  Transformers don't fly aircraft; they transform into them!  And yet the story dictates that we have a rescue sequence that depends on Sam and Bumblebee piloting one of these vehicles:  this was not a high point for me.  Nor was Laserbeak's multitude of alternative forms:  throughout the story, he changes forms more often than I change my socks - really not a great part of the story for me (despite what I said about robots in disguise, this was a step too far).

The main high points, in my view, were:

*  Sam, arguing with the guards as he tries to enter the secret Autobot compound:  "Sir, what about your car?"  "That's not my car...  ... ... That's my car."
*  Ironhide's character arc.  Won't say any more, but I was genuinely surprised at how his character developed.
*  No more Megan Fox, and a fairly small amount of her replacement, who despite the wooden acting had a small but key part to play in the story, just towards the end.
*  Starscream's demise at the hands of... well, yes.  A very well-written set of scenes - I didn't see it coming (and neither did Starscream).

Overall - an excellent film, with outstanding special effects, good story and plot, understandable characters (and if they did just service the plot, I'm not complaining) and a body count that exceeds the previous two films put together.  It remains to be seen if the Decepticon remains are going to be blasted off into space, where they might meet up with Unicron and come back re-energised, but I for one will most certainly be looking forward to the next instalment!